michaelrugnetta / rheumatictangle :

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Vanity Vinyl

<a href="http://mikerugnetta.bandcamp.com/album/vanity-vinyl">767 by mikerugnetta</a>

Assistant mastering engineer. All songs written and performed by Vanity Vinyl. Produced by Bailey Math and Michael Chap Resnick at Terminator Smile studios in Brooklyn. Careful: it's loud.^


Randy Gibson: Voices + Sine Waves

<a href="http://mikerugnetta.bandcamp.com/album/voices-and-sine-waves">Two Sides No. 2 by Randy Gibson</a>

Lead Mastering Engineer. All songs written, performed and recorded by Randy Gibson.

Mastered with Bailey Math at Terminator Smile studios in Brooklyn.^


Jesse Alejandro and The Big Fatt

<a href="http://mikerugnetta.bandcamp.com/album/jesse-alejandro-and-the-big-fatt">Got Nothing by Jesse Alejando and The Big Fatt</a>

Lead Mastering Engineer. All songs written and performed by Jesse Alejandro and The Big Fatt

Debut full length from Brooklyn based septet. All songs produced by JJ Beck at Mother West Studios in Manhattan. Mastered with Bailey Math at Terminator Smile studios in Brooklyn.^


The Kiss Off: Brace

Mother Murderer by The Kiss Off

Associate producer, lead mix engineer. All songs written and performed by The Kiss Off.

Debut EP of rock outfit The Kiss Off. Named Blender Magazine Best Band You've Never Heard of Aug. '08. Named Deli reader choice award Sept. '08. Named a bunch of other great things, but never named late for dinner. Produced and mixed at Terminator Smile studios in Brooklyn. ^


Randy Gibson: Aqua Madora

Aqua Madora (excerpt) by mikerugnetta

Producer, lead mix engineer, lead mastering engineer. Written and performed by Randy Gibson.

From http://www.avantmedia.org:

Created by Ana Baer-Carrillo, Dani Beauchamp and Randy Gibson, "Aqua Madora" is a large scale yet intimate work for piano, sine wave drones, dancer and video.
^


Nick Brooke: Mass & Time and Motion Study

Lead live mix engineer, audio systems design, lead audio tech. Written and Directed by Nick Brooke and Jennifer Rohn. Documentation forthcoming.

From http://www.nbrooke.com:

In the so-called "parody" masses of the 16th century, fragments of popular patriotic, romantic, and bawdy songs, were rearranged into religious masses; pop tunes of the day would be reworked into lattices of sacred counterpoint. My own Mass also reworks pop tunes I've heard over the last 30 years, creating a kind of secular service based on remembered ephemera of U.S. pop culture. I'm often amazed at how top-40 pop could double as religious incantations; the phrase "I believe" echoes from American Idol to Cher, and the "you" in U2 alternately means God or some romantic other. The mass tonight is conceived somewhat like the mass we'd really sing, at home, as Americans, quilted together from the pop songs that identify us more than religion. ^